
Aaron frazer // introducing…
“Introducing…” is a remarkable achievement. With a soaring falsetto that recalls Barry Gibb, Frazer glides through the lollipop wonderland that comprises this twelve-track groove-a-thon.

cut worms // nobody lives here anymore
Cut Worms (nè Max Clarke) has released one of the most jubilant, jangly, and infectious albums since the work of The Byrds in the mid-late 1960s. It’s 2020 low-fi meets Buddy Holly with hints of the Everly Brothers and Roy Orbison; a stunning achievement and a deeply satisfying 80-minute barnburner that secures Cut Worms place in the realm of exciting new artists.

fleet foxes // shore
This isn’t just Fleet Foxes best album, it’s their most mature, cohesive, deeply felt, and intimately universal effort. While Pecknold sings of finding refuge from the insanity of 2020 in his music, we too find refuge and reassurance in it.

sufjan stevens // the ascension
Sufjan Stevens’ The Ascension is the deep, dizzying, electro opera that could only happen in 2020.